We've come to the part of the Top 19 where I no longer talked about these albums on Facebook. Even though they're still in the Top 19 I guess you can consider them honorable mentions or runners up to the Top 10 Facebook list.*
* This preamble seems highly unnecessary but so is this list.
One of the best things about being 17-years-old is that if you don't have your license yet, undoubtedly, you know someone that does. That means freedom. Freedom to go where you want to go. Freedom not to walk anymore. Freedom from asking your parents to drop you off somewhere.
One of the best freedoms of an automobile free from parental control is the ability to play whatever you want whenever you want on the car stereo. I don't go down this road a lot, because while the Walkman was ubiquitous (I wrote all about it in my Public Enemy entry) it wasn't like today where every toddler has an iPad and headphones allowing them to crank whatever they want in their own bubble. Back in the day, you're listening to what your parents want to listen to and that was going to be powerfully lame*.
* There's one exception, is that is when my kids forget their devices at home and have to listen to my music. That's just ME giving THEM an education in awesomeness.
I was one of the youngest of my group of friends and the laziest. I wasn't in any particular hurry to get my license; I finally got it when I was 17-and-a-half, more than a year after I was legally allowed to drive in Massachusetts. My thought process was, why bother? I wasn't going to get a car of my own. At parties, I didn't have to be the designated driver. Most of the time, at least one of my friends was more than up for picking me up and going somewhere together. So when I talk about listening to music in a car while driving, 90% of these remembrances are going to be about me as a passenger.
When we were bored, we'd just drive anywhere. Sometimes, when we had a little money, we'd go to the malls in New Hampshire. Sometimes, when we were looking for things to do, we'd drive around our small town and see if anyone was hanging out at usual teenage haunts. In this case that was the Millyard, a parking lot across the street from the pizza place (Pizza Factory) where everyone congregated. But most times, if we were really bored we'd drive to Salisbury Beach. We'd park at our friend's grandparents house and waste time and money at the batting cages, playing pool, bubble hockey and video games while eating beach pizza.
In the summer, we'd add Hampton Beach, which was two or three miles down the road, to the mix and add in trying to pick up girls too. We usually didn't get too far with the latter*.
* I remember myself and all of my friends being steamed that girls our age would barely look at us. They only seemed to be attracted to older guys walking the strip. "When we get out of college, we need to come back here and scoop some high school chicks," one of us said. And we all agreed. Thinking about that statement now? Ugh.
While the passengers changed from night-to-night, the one thing that was consistent was the music. We all loved hip-hop, especially the hard stuff: Geto Boys, N.W.A. and Public Enemy. But the two cassettes that got the most action were the Beastie Boys' "Paul's Boutique" and Ice-T's "OG".
In the early 90s, the view of Ice-T is much more different than it is today. The media made it seem like Ice-T was one of the most dangerous people on the planet. His raps were self-described true-life stories of his neighborhood and his history as a street hustler. I'm not sure how exaggerated his stories are, but it didn't matter. To us, they were exactly how things went down in South Central Los Angeles.
Ice-T looked the part; jacked up, black hat, locs and a sneer. He didn't rap his lyrics, he spit them out syllable by syllable*. To us, he was another in a long line of people telling it how it really is. And we listened to "O.G." over and over and over again.
* I think it's comedian Paul F. Tompkins who talks about this in his act, but Ice-T has a very profound lisp. I never noticed it before when I listened to his stuff, but that's all I can hear now. I think that if I had heard it back then, this might be a different blog entry.
Not only did Ice-T rap, but he fronted a hardcore band called Body Count that had its single in the middle of the album. It was preambled by Ice-T talking about how rock n' roll isn't just white people music, it was pioneered by people like Little Richard and Chuck Berry and that he "happened to like rock n' roll." In a flourish he continued (and I'm doing this from memory, so forgive me if I mess up a word or two), "As far as I'm concerned music is music. And if anyone said that I sold out, they can basically suck my dick."
That song was pretty fucking great mostly because they sounded a lot like Black Sabbath. But this song really reached all of us. It showed that hip hop doesn't have to be its own thing, hip hop can be fused with rock and that can lead to some good stuff. Faith No More also did that in the early 1990s and lead to the Anthrax and Public Enemy collaboration, Rage Against the Machine before completely bottoming out with Nü Metal. That last thing wasn't great, but the inclusion vibe that these bands gave off wasn't too bad.
Ice-T went on to make more albums, including a controversial one with Body Count which featured the single "Cop Killer" which made Ice-T a pariah for a summer, but this was the only one that I really loved ("Power" and "Freedom of Speech" were also good, but never got into the rotation like "O.G" did). When I hear songs like "Original Gangter" or "Midnight" or "New Jack Hustler", I'm instantly brought back to my senior year in high school. A year that I had some of the swagger of Ice-T because we were finally the top dogs of the school and because things were looking pretty good because we were ending one chapter and going to start a new one.
It's ironic--especially in the light of recent events--that Ice-T's music represents a sense of freedom for me. Everything that Ice-T talked about was about how the government is keeping everyone down and that one has to take action to get power. But when I hear these songs and close my eyes, I think of a bright blue sky, plenty of sunshine and beaches with my future as vast as the horizon.
I am positive that's not what Ice-T had in mind when he recorded this album, but I also doubt that he thought that in 30 years people would know him for playing a cop on a "Law and Order" spinoff. Once a person enters the public conscious, things tend to change.
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