Showing posts with label Dazed and Confused. Show all posts
Showing posts with label Dazed and Confused. Show all posts

Wednesday, May 27, 2020

Top 19 -- Dazed and Confused: Soundtrack Volumes 1 and 2



We've come to the part of the Top 19 where I no longer talked about these albums on Facebook. Even though they're still in the Top 19  I guess you can consider them honorable mentions or runners up to the Top 10 Facebook list.*

This preamble seems highly unnecessary but so is this list.

I mentioned this yesterday, but I wasn't the world's greatest roommate in college. I thought that I was, but on further evaluation, I really wasn't. I was stuck in my ways, I wanted things to be my way, I wanted my roommates to be into the same things that I were in. Any pushback and I'd get offended. I didn't do act this way on purpose. A lot of times when you're the oldest child, you don't have to compromise mostly because if you do get pushback, you can just squash that little insurrection with a physical beating or psychological warfare. 

That's a bit difficult to do when your roommates are your age and can make up their own minds about who and what are cool. 

In September of 1993, a movie called "Dazed and Confused" directed by Richard Linklater was released. It didn't do very well. I remember seeing an add of an obviously stoned smiley face on a teal background (the first album in the above image) with the tagline, "See it with a bud". My first thoughts were, what is this movie about? But there were no other indicators about plot or character. I was stuck at school without a car to get to the movie theater, so I forgot about it. Apparently a lot of other people did too because it was gone from the theaters by October. 

Fast forward to the summer and I'm home and my friend Jesse said that I have to see this movie. "What is it?" "Dazed and Confused," he answered. "It's great." So we sat down and watched it. And he was right. It was great. At that point in my life, the best movie that I had ever seen was Oliver Stones' "The Doors" and this blew it away. I became completely and totally obsessed with this movie. 

The movie was about the last day of school in 1976 at a Texas high school. The incoming juniors spend the day terrorizing the outgoing eighth graders. Once the town-wide hazing ends, the kids get together and have a kick-ass party and then go try to get Aerosmith tickets the next day. That's it. That's what the movie was all about. If you never saw it, you should. It's well worth your time. Lots of actors got their start in that movie including Matthew McConaughey, Ben Affleck, Parker Posey, Joey Lauren Adams and a bunch of other people that you'd no doubt recognize. Not only is the acting good, but Linklater's script and direction is excellent. He really immerses you in this world and makes you care about the characters*.

* I cared so much about these characters that I spent a lot of time thinking what they did with their lives. Did they go to college? Did they get married? Did they ever leave their town? If so where did they go? What did they do? What were they doing in 1994? Would I be friends with them if I was in high school? How would I handle the hazing (both as a junior and an eighth grader)? Like I said, this was a complete obsession.  

I bought the movie on VHS tape and I watched it at least two or three times a week. I bought both soundtracks, and listened to it constantly. I even bought the Dazed and Confused companion book* (which was absolutely hilarious and added a lot of backstory to the characters). And I brought all of that shit back with me to college for my junior year. Like I wrote about yesterday, junior year was a bit of a rocky year for me and my roommates. We were getting along, but just barely. There was an underlying tension in the air, but we were all too cowardly to talk about it. The bottom line is that we all needed some space between us. And the space that we were in, practically being the only juniors in a underclassman dorm where we were still under the thumbs of the RAs, wasn't that place. Add in a dude who is wound way too tight, but now "loved" the 70s lifestyle and again, it was too much. 

* The first time that I went on the Internet and used a search engine was to look for stuff about "Dazed and Confused". I found an interview with Linklater who talked about the behind-the-scenes stories of making the movie and how much of a pain in the ass it was for him to realize his vision and all of the fights that he had. One of the interesting ones was that he wanted Led Zeppelin's "Rock n Roll" to be the first song in the first scene. He heard that if Jimmy Page gave his blessing, Robert Plant usually followed suit. Linklater got in touch with Page who loved the idea and said yes. Plant demurred saying that he didn't want to be remembered for Zeppelin, that he wanted people to focus on the music that he was making now. Linklater went bananas in the article recounting his interaction with the Zep front man. They used Aerosmith's "Sweet Emotion" instead. I printed out that interview and still have it. Bonus trivia: "Sweet Emotion" and Bob Dylan's "Hurricane" were two of the songs that were in the movie but not on either soundtrack. 

Like I said, I pretty much went all out on the whole 70s aesthetic. I bought a couple of tapestries and a lava lamp. My girlfriend at the time bought me beaded curtains--I was hinting around for months about this--that I put up in our room. And I played these soundtracks over and over and over again. 

These albums contain a lot of popular hits from the 1970s, it was basically a K-TEL Best of the 70s hit collection with a different package. KISS, Black Sabath, The Runaways, Ted Nugent, Peter Frampton, Sweet, The Edgar Winters Group, Black Oak Arkansas, The Steve Miller Band, ZZ Top and more were all part of the set. And a lot of these songs are quite famous and ones that you've heard before if you spent more than ten minutes listening to a classic rock station. But I didn't care, I listened to the over and over and over and over again. 

It got so bad that the one roommate that I was not angry at snapped the CD over his knee. We were all hanging around one night have a few beers and I announced, "I'm putting in Dazed and Confused." He said, "No you're not." "Yes I am, I can do what I want." And he said, "If you put that CD into my stereo (we were in his room) I am going to break it in half." "Fuck you, I'm doing it," was my response. 

I put the disc in the stereo, pressed play and sat down as "Rock N' Roll Hootchie Coo" started blaring out of the speakers. My roommate, Scott, was one of the nicest, most passive (in a good way) guys that I know. He stood up, walked over to the stereo and, true to his word, snapped it over his knee. I was stunned. The room was quiet -- not just because there was no "Rock n Roll Hootchie Coo" but because this was an act of war. What would I do to counter this aggression? I did nothing. I sat there gobsmacked. I wasn't going to beat him up, he was one of my best friends and, to be honest, he did warn me. And it was his CD player. I wasn't going to cry, but when you're broke and having your favorite CD busted in front of you is a tough pill to swallow. 

Scott worked part-time at a record store called the Wall. Their policy was, as long as you have a Wall sticker on the disc casing and if there's something wrong with the CD--no matter what--you can return it for a brand new album. It's an awesome policy, but it probably cost the place millions, which may explain one of the reason why it's no longer in business. After what seemed to be like hours, Scott said, "Before you put the disc in, I had a couple of Wall stickers and put it on the back of the case. I have to work tomorrow, so I'll exchange this for a brand new one. Dude, I just couldn't listen to this shit tonight."

I think that little lesson changed my behavior because sitting there with a broken CD in my hand really sucked. Hearing my friend tell me that the music I was listening to was driving him nuts, sucked. I hope that I became a better person after that incident. I don't know if I did, but I can say that I became a bit more conscious of how things that I like affect other people. 

I still hold a soft spot for this movie. I think I bought three different versions of it on DVD/Blueray, but it's not my favorite movie any more. In fact, I can't recall the last time that I saw it. And to be honest, a lot of emotions come back when I hear the soundtrack or watch the movies. Mostly about the embarrassing way that I acted, how I wasn't always the greatest friend and how obsessed I was about this film. However there are a lot of good memories too; I mean this is an awesome movie. The soundtrack is pretty good. And I did have a lot of fun immersing myself in this world. 

I guess once you leave your teens and 20s, you never find yourself that deep in something anymore. There are bills to pay, work to do and kids to take care of; but every so often it's cool to go back and reminisce about something that you truly and deeply cared about. 

Monday, August 14, 2017

The Doomsday Connection



“Someday we’ll find it
The Doomsday Connection
MODOK, AIM and me!
La, la, la, la, la, la!”

Not many people know this, but that was Jim Henson’s original lyrics for “Rainbow Connection”. He was intrigued by Mobile Organism Designed Only for Killing (MODOK) and Advanced Idea Mechanics (AIM) and wanted to spread their gospel.

Seriously.

Anyway, you’ll notice that the above image isn’t of a Champions comic, rather it’s the 1977 Iron Man annual. Comics are a lot like professional wrestling or hip hop, when something isn’t doing very well, the powers-that-be try to pair them along with something that is successful. For a wrestler, it might be to have him form a tag-team partnership with someone more popular. Or they can feud with someone who has more juice. For a hip hop artist, they can guest on a more popular artist’s record. Or be photographed with him or her.

You want someone that isn’t popular to seem as though they are popular. The quickest and best way to do that is by having them orbit around something that is cool.

I’m not sure how much more popular Iron Man was than the Champions in 1977. Tony Stark has been around Marvel for 15 years and was a star of one of their flagship books, the Avengers. He had cache and the Champions did not. My guess is that Marvel editors decided that the Champions needed to be around more popular heroes. So, without a lot of setup, they guest starred in the Armored Avenger’s annual.

Written by Champions writer Bill Mantlo and penciled by former Champions artist George Tuska, it wasn’t if the creative team needed to get their arms wrapped around the team. Both men knew who the Champions were, so they were dropped right in the action.

Iron Man was in California investigating an AIM laboratory and was looking for MODOK. Iron Man battles through a bunch of robots, but can’t find the big-headed, small-bodied man. He realizes that the majority of the West Coast is now in a blackout and he fears that MODOK is syphoning off energy for some dastardly plot. He decides that it’s a good idea to pay a visit to the Champions Headquarters and see what his old colleagues, Black Widow and Hercules have to say.

I guess Tony Stark has always kinda been a dick because even though he says that the Champions haven’t responded to his radio signal, he decides to bust through their HQ anyway. There he runs into the Ghost Rider, who is rightly pissed off that this happened. Being that this is a comic book, they get into a fight. Angel, Hercules and Ice Man are about to kick Iron Man’s ass (they saw GR go flying through a wall) when Black Widow tells everyone to chill out. They do.

Iron Man breaks out a mini film projector—it’s so cute and tiny—and he explains to his new buddies that MODOK is serious business and that they need to find him before the world blows up. Iron Man suggests that they split up because there are three places that MODOK could be. Angel, Hercules and Natasha decide to head out to Redwood National Forrest.



(Look at that thing, how quaint. It's like being in grade school and IM is your lazy teacher and it's filmstrip day!) 

Here Angel flies around for literally a minute and talks about how good it feels to stretch his wings. OK WWIII. Hercules and Widow start flirting and it looks as if the Prince of Power is going to seal the deal. But those AIM jerks are back again and they start firing on our heroes. Hercules is so taken by the beauty of his surroundings that he rips up a gigantic redwood tree and starts bashing AIM cronies with it. Eventually the trio gets snared.


(In another panel Black Widow is like, 'Oh Hercules, I feel so safe in your arms!" Hercules was getting there, man! -- Shout out to little recognized "Dazed and Confused" sad sack Hirchfelder. Who actually left a pretty good looking chick to go find O'Bannion. Stupid Mitch. Stupid Tommy. Stupid AIM.)

Ice Man, Ghost Rider and Darkstar go to an undersea AIM base near San Francisco. There, they learn that evil corporation is doing unspeakable experiments on fish and turning them into monstrous killers. They are attacked by another set of AIM goons and when Ice Man tries to help Ghost Rider, Johnny Blaze acts like a royal prick.




(You're just an asshole, dude. And Darkstar doesn't even like him like that! Way to rub salt in those wounds, Johnny Blaze.)

Darkstar ends up getting knocked out. Stop me if you’ve heard this before, Ice Man loses focus when he sees that happening to Laynia and he gets coldcocked. Eventually the trio gets captured.

Iron Man heads to the Mojave Desert where he happens upon a Franciscan Mission and a gigantic monk. Turns out the monk works for MODOK and proceeds to beat the crap out of Iron Man. Unlike the Champions, Iron Man leaves the monk—who is walking around talking about how he beat up Iron Man and that he’ll be running AIM in less than a week.

Somehow the Champions all escape their messes and jump in their Championcrafts and head to where Iron Man is going: Nevada. He goes back to the place that he destroyed at the beginning of this issue and guess who’s there? MODOK! Turns out while IM was destroying his lab, MODOK was invisible and waiting for him to leave. Just like James Comey used to do when President* Trump drop by.

MODOK explains his plans and starts fighting Iron Man when the Champions come busting in. MODOK decides that enough is enough and blows his entire mountain lair up, seemingly crushing the heroes. But Iron Man has an adaptor and plus one side into his armor (through the yellow circle in his chest) and the other into the Doomsday Chair (I forgot to say that this is the thing MODOK created to blow up the world). The DDC transfers so much energy into Iron Man’s armor that he is able to use it to blow off the mountain that Hercules was holding up. It reminded me of this:


(I loved this issue and this cover, look at how pissed off Hulk was. And this was much cooler because the Molecule Man dumped an entire mountain on these guys and Hulk held it up. Incredible!)



We are on the second to last page and The Champions are like, “Phew, I’m glad we’re safe but what about MODOK?” And Iron Man’s like, “Oh yeah. That dude.” He fires his repulsor rays at him to “stabilize” the bad guy but ends up blowing him up. After dropping the Champions off, Iron Man walks away and thinks that he should probably go to his factory and see how everyone is doing down there.

This was a pretty good issue and I think it’s because the Champions were NOT the focus of it, which doesn’t say much for this team. Ghost Rider was the only real asshole in this issue (aside from Tony Stark) but Bobby didn’t whine so much about Darkstar, the Angel didn’t act like an entitled prick and Hercules and Black Widow had their nice moment too.

I would read more about this team, if I was a kid who picked up this comic off the rack and had no idea who these Champions. They were just eclectic enough to make it work in this Annual. I’d give it four disco-shirted Angels.

I'll start it off with this guy, because he loves to get the party started: